OPENING FRIDAY at moryork (August 7, 6-9PM)
“THE VIEW FROM FIJI HILL”
ARCHIVAL PIGMENT PRINTS AND ALTERED LANDSCAPES
14” x 9” including tinted borders.
Printed on Hahnemühle Photo Rag 308 gsm. Unframed. Signed on the back, stamped on front with grey artist’s mark with extremely subtle titles printed below right.
I’ve been working on this series since about 2012, when I had an epiphany while hiking up the the hill behind nearby Occidental College. Early on I was struck with a vista that reminded me of both Dutch landscapes (except for the hills) and those of the Hudson River School. I have been mining the views from this hill ever since, and believe me these seven prints are the tip of the iceberg (keep scrolling). I’m honored to announce I’ll be showing these images and scores of jewel-like derivatives opening August 7, 2026 at MORYORK.
ARTIST DIRECT PRICING not including shipping. Continental U.S only.
1-3 PRINTS $125 ea
4-7 PRINTS $100 ea
Sales tax will be added where applicable
Tap thumbnails to enlarge
ARCHIVAL PIGMENT PRINTS (fiji hill)
The prints below are all 14” x 9” including tinted border. I’ve put a number of them in beautifully beveled antique white 20” x 16” museum board mats with archival backing. Pricing above is for bare prints. Still debating about matted print pricing, but watch this space.
ALTERED LANDSCAPES (fiji hill)
Most are small works, sizes given, all are archival printed canvas mounted on cradled wood panels, worked manually and/or digitally. Showing these fairly bad photos in the hopes that it will give the viewer an idea of my aesthetic. At MorYork I will be showing a number of multiples of this series…they’re prints, after all. I will also be showing other images.
Artist statement
Sorry, it’s too embarrassing. What’s that, you need a good laugh? Oh, ok.
When I first walked up Fiji Hill in 2014 I was struck by a landscape composition that recalled Dutch painting, or the Hudson River School. That encounter launched this ongoing body of work. Over the last twelve years, I've repeatedly returned to the hill, photographing the terrain through changing light, seasons, and weather. About five years ago I began printing many of the images on canvas and mounting them on small wood panels. I will often alter these objects (which I think of as paintings) to reflect my fascination with the sort of worked surface that, like an evolving landscape, bears the marks of sustained attention.